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How Much Does a Sealed James Bond Never Say Never Again 1983

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1983 James Bond film directed by Irvin Kershner

Never Say Never Once more
A poster at the top of which are the words "SEAN CONNERY as JAMES BOND in". Below this is a head and shoulders image of man in a dinner suit. Inset either side of him, are smaller scale depictions of two women, one blonde and one brunette. Underneath the picture are the words "NEVER SAY NEVER AGAIN"

British movie theatre poster by Renato Casaro
Directed by Irvin Kershner
Screenplay past Lorenzo Semple Jr.
Story by
  • Kevin McClory
  • Jack Whittingham
  • Ian Fleming
Based on Thunderball
by Ian Fleming
Produced past Jack Schwartzman
Starring
  • Sean Connery
  • Klaus Maria Brandauer
  • Max von Sydow
  • Barbara Carrera
  • Kim Basinger
  • Bernie Casey
  • Alec McCowen
  • Edward Fox
Cinematography Douglas Slocombe
Edited by Ian Crafford
Music past Michel Legrand

Product
company

Taliafilm
Distributed past
  • Warner Bros. (U.S.)
  • Columbia-EMI-Warner Distributors (U.M.)[1]

Release dates
  • 7 October 1983 (1983-ten-07) (U.S.)
  • 15 December 1983 (1983-12-15) (U.Grand.)

Running time

 134 minutes
Countries
  • Britain
  • Us
Language English
Budget $36 million
Box role $160 one thousand thousand[2]

Never Say Never Again is a 1983 spy moving-picture show directed past Irvin Kershner. The film is based on the 1961 James Bail novel Thunderball past Ian Fleming, which in plow was based on an original story past Kevin McClory, Jack Whittingham, and Fleming. The novel had been previously adapted in a 1965 film of the same name. Never Say Never Again was non produced past Eon Productions, simply by Jack Schwartzman's Taliafilm. The motion-picture show was executive produced by Kevin McClory, one of the original writers of the Thunderball storyline. McClory retained the filming rights of the novel following a long legal battle dating from the 1960s.

Sean Connery played the role of Bond for the seventh and final fourth dimension, marking his return to the character 12 years after Diamonds Are Forever. The moving picture'southward championship is a reference to Connery's reported declaration in 1971 that he would "never" play that function again. As Connery was 52 at the time of filming, although almost three years younger than incumbent Bond Roger Moore, the storyline features an aging Bond who is brought back into activity to investigate the theft of two nuclear weapons past SPECTRE. Filming locations included France, Spain, the Bahamas and Elstree Studios in the U.k..

Never Say Never Again was released by Warner Bros. on 7 October 1983, and opened to positive reviews, with the acting of Connery and Klaus Maria Brandauer singled out for praise as more emotionally resonant than the typical Bond films of the day. The moving picture was a commercial success, grossing $160 million at the box office, although less overall than the Eon-produced Octopussy, released before the same twelvemonth.

Plot [edit]

After MI6 amanuensis James Bond, 007, fails a routine preparation exercise, his superior, M, orders Bond to a health clinic outside London to go dorsum into shape. While there, Bail witnesses a mysterious nurse named Fatima Chroma giving a sadomasochistic beating to a patient in a nearby room. The human's confront is bandaged and after Blush finishes her beating, Bail sees the patient using a machine which scans his eye. Bond is seen by Chroma, who sends an assassin, Lippe, to kill him in the dispensary gym, simply Bond manages to impale Lippe.

Chroma and her charge, a heroin-addicted United States Air Force airplane pilot named Jack Petachi, are operatives of SPECTRE, a criminal organisation run by Ernst Stavro Blofeld. Petachi has undergone an operation on his right centre to make it match the retinal pattern of the US President, which he uses to circumvent iris recognition security at RAF Station Swadley, an American armed forces base of operations in England. While doing so, he replaces the dummy warheads of ii AGM-86B cruise missiles with live nuclear warheads; SPECTRE so steals the warheads, intending to extort billions of dollars from NATO governments. Chroma murders Petachi by causing his machine to crash and explode, covering SPECTRE's tracks.

Foreign Secretary Lord Ambrose orders a reluctant 1000 to reactivate the double-0 section, and Bail is tasked with tracking down the missing weapons. Bail follows a pb to the Bahamas where he meets Domino Petachi, the pilot's sister, and her wealthy lover Maximillian Largo, who is SPECTRE'southward top agent.

Bond is informed by Nigel Small-Fawcett of the British High Commission that Largo'south yacht is now heading for Nice, French republic. At that place, Bond joins forces with his French contact Nicole, and his CIA counterpart and friend, Felix Leiter. Bail goes to a wellness and beauty centre where he poses every bit an employee and, while giving Domino a massage, is informed by her that Largo is hosting an consequence at a casino that evening. At the charity event, Largo and Bail play a three-D video game chosen Domination; the losing role player of each turn receives a series of electric shocks of increasing intensity in proportion to the amount wagered. After losing a few games, Bond ultimately wins, and while dancing with Domino, he informs her that her brother had been killed on Largo's orders. Bond returns to his villa to find Nicole killed past Blush. After a vehicle chase on his Q-branch motorbike, Bond finds himself in an deadfall and is eventually captured past Blush. She admits that she is impressed with him, and forces Bail to declare in writing that she is his "Number Ane" sexual partner. Bond distracts her with promises, so uses his Q-co-operative-effect fountain pen gun to kill Chroma with an explosive dart.

Bond and Leiter attempt to board Largo's motor yacht, the Flying Saucer, in search of the missing nuclear warheads. Bond finds Domino. He attempts to make Largo jealous past kissing Domino in forepart of a two-way mirror. Largo becomes enraged, traps Bond and takes him and Domino to Palmyra, Largo's base of operations in Due north Africa. Largo coldly punishes Domino for her betrayal by selling her to some passing Arabs. Bail subsequently escapes from his prison and rescues her.

Domino and Bond reunite with Leiter on a U.South. Navy submarine. Afterward the first warhead is plant and defused in Washington, D.C., they track Largo to a location known every bit the Tears of Allah, below a desert haven on the Ethiopian coast. Bond and Leiter infiltrate the undercover facility and a gun boxing erupts between Leiter's team and Largo's men in the temple. In the defoliation, Largo makes a getaway with the 2d warhead. Bond catches and fights Largo underwater. Just as Largo tries to use a spear gun to shoot Bond, he is shot with a spear gun past Domino, taking revenge for her brother's death. Bond then defuses the nuclear bomb underwater, saving the world. Bail retires from duty and returns to the Bahama islands with Domino, vowing never again to exist a secret amanuensis.

Cast [edit]

  • Sean Connery equally James Bond, MI6 agent 007.
  • Klaus Maria Brandauer every bit Maximillian Largo, a billionaire man of affairs and SPECTRE Number 1, SPECTRE's senior-most amanuensis. He is based on the graphic symbol Emilio Largo in Thunderball
  • Max von Sydow every bit Ernst Stavro Blofeld, the head of SPECTRE.
  • Barbara Carrera as Fatima Blush; SPECTRE Number 12, assigned to hunt downward and kill Bail. She is based on Fiona Volpe in Thunderball.
  • Kim Basinger every bit Domino Petachi, sis of Jack Petachi and girlfriend/mistress of Maximillian Largo. The surname was changed to Petrescu for the Italian release of the film.
  • Bernie Casey as Felix Leiter, Bond'south CIA contact and friend.
  • Alec McCowen as "Q" Algy (Algernon), Double-0 section Quartermaster who problems specialised equipment to Bail.
  • Edward Fox as "K", Bond's superior at MI6.
  • Pamela Salem as Miss Moneypenny, M's secretary.
  • Rowan Atkinson equally Nigel Small-Fawcett, Foreign Office representative in the Commonwealth of the bahamas.
  • Valerie Leon every bit Lady in Bahama islands, whom Bond seduces.
  • Milow Kirek as Dr. Kovacs, a nuclear physicist working for SPECTRE.
  • Pat Roach as Lippe, a SPECTRE assassin who tries to kill Bail at the dispensary.
  • Anthony Sharp as Lord Ambrose, Foreign Secretary who orders G to reactivate the Double-0 section.
  • Prunella Gee every bit Nurse Patricia Fearing, a physiotherapist at the clinic.
  • Gavan O'Herlihy every bit Helm Jack Petachi, a USAF pilot used by SPECTRE to steal the nuclear missiles, and Domino Petachi's brother.

Product [edit]

Never Say Never Again had its origins in the early on 1960s, following the controversy over the 1961 Thunderball novel.[3] Fleming had worked with contained producer Kevin McClory and scriptwriter Jack Whittingham on a script for a potential Bond film, to be called Longitude 78 West,[4] which was subsequently abandoned because of the costs involved.[five] Fleming, "e'er reluctant to let a good idea lie idle",[five] turned this into the novel Thunderball, for which he did non credit either McClory or Whittingham;[6] McClory then took Fleming to the Loftier Court in London for breach of copyright[7] and the matter was settled in 1963.[iv] Later Eon Productions started producing the Bond films, it afterwards made a deal with McClory, who would produce Thunderball, and then not make any farther version of the novel for a period of x years following the release of the Eon-produced version in 1965.[8]

In the mid-1970s McClory again started working on a project to bring a Thunderball accommodation to production and, with the working title Warhead, he brought writer Len Deighton together with Sean Connery to work on a script.[9] A lawsuit with Eon Productions ended in a ruling that McClory endemic the sole rights to SPECTRE and Blofeld, forcing Eon to remove them from The Spy Who Loved Me (1977).[x] The script initially focused on SPECTRE shooting down airplanes over the Bermuda Triangle before taking over Liberty Island and Ellis Island as staging areas for an invasion of New York Urban center through the sewers under Wall Street. The script was purchased by Paramount Pictures in 1978.[10] The script ran into difficulties afterwards accusations from Danjaq and United Artists that the projection had gone beyond copyright restrictions, which confined McClory to a film based only on the novel Thunderball, and once again the projection was deferred.[8]

Towards the terminate of the 1970s developments were reported on the project under the proper name James Bail of the Secret Service,[8] just when producer Jack Schwartzman became involved in 1980 and cleared a number of the legal issues that still surrounded the project[10] [3] he decided against using Deighton's script. The project returned to the original nuclear terrorism plot of the original Thunderball in social club to avoid another lawsuit from Danjaq and after McClory saw Jimmy Carter mention the issue in a 1980 presidential debate with Ronald Reagan.[11] Schwartzman brought on lath scriptwriter Lorenzo Semple, Jr.[12] to work on the screenplay, who Schwartzman wanted to make the screenplay "somewhere in the middle" betwixt his campier projects such every bit Batman and his more than serious projects such every bit 3 Days of the Condor.[ten] Connery was unhappy with some aspects of the work and asked Tom Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; however, Mankiewicz declined as he felt he was under a moral obligation to Eon's Albert R. Broccoli.[xiii] Semple Jr. ultimately left the project after Irvin Kershner was hired as director and Schwartzman began cutting out the "big numbers" from his script to salvage on the budget.[10] Connery then hired British television writers Dick Clement and Ian La Frenais[11] to undertake re-writes, although they went uncredited for their efforts despite much of the final shooting script being theirs. This was because of a restriction by the Writers Social club of America.[14] Cloudless and La Frenais continued rewriting during the production, often altering information technology from day to day.[10]

The film underwent one final change in championship: after Connery had finished filming Diamonds Are Forever he had pledged that he would "never" play Bail once again.[9] Connery's married woman, Micheline, suggested the championship Never Say Never Once more, referring to her husband'due south vow[15] and the producers acknowledged her contribution by listing on the end credits "Championship Never Say Never Again by Micheline Connery". A final try by Fleming's trustees to block the film was made in the Loftier Courtroom in London in the spring of 1983, only this was thrown out past the court and Never Say Never Again was permitted to proceed.[16]

Cast and crew [edit]

When producer Kevin McClory had showtime planned the film in 1964, he held initial talks with Richard Burton for the office of Bond,[17] although the project came to null because of the legal problems involved. When the Warhead projection was launched in the late 1970s, a number of actors were mentioned in the trade press, including Orson Welles for the part of Blofeld, Trevor Howard to play M and Richard Attenborough every bit director.[9]

In 1978, the working title James Bail of the Secret Service was existence used and Connery was in the frame once again, potentially going caput-to-head with the next Eon Bond picture show, Moonraker.[18] By 1980, with legal issues over again causing the project to founder,[19] Connery thought himself unlikely to play the role, as he stated in an interview in the Sunday Express: "When I first worked on the script with Len I had no thought of actually existence in the film."[xx] When producer Jack Schwartzman became involved, he asked Connery to play Bail; Connery agreed, negotiating a fee of $3 meg ($8 one thousand thousand in 2021 dollars[21]), casting and script blessing, and a percentage of the profits.[22] Subsequent to Connery reprising the role, Semple contradistinct the script to include several references to Bond'southward advancing years – playing on Connery being 52 at the time of filming[22] – and bookish Jeremy Black has pointed out that at that place are other aspects of age and disillusionment in the film, such as the Shrubland'south porter referring to Bond's car ("They don't make them like that anymore"), the new M having no use for the 00 section and Q with his reduced budgets.[23] Originally Semple wanted to emphasize Bond's age fifty-fifty further, writing the script to include him in semi-retirement working aboard a Scottish fishing trawler hunting Soviet Navy submarines in the North Sea.[10] Connery's casting was formally announced in March 1983. He trained with Steven Seagal to help go in shape for the production.[ten]

For the main villain in the flick, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the pb of the 1981 Academy Award-winning Hungarian picture Mephisto.[24] Through the same road came Max von Sydow equally Ernst Stavro Blofeld,[25] although he notwithstanding retained his Eon-originated white true cat in the film.[26] For the femme fatale, director Irvin Kershner selected former model and Playboy cover girl Barbara Carrera to play Fatima Blush – the name coming from one of the early scripts of Thunderball.[fourteen] Carrera said she modeled her functioning on the Hindu goddess Kali, and to "mix that in with a niggling bit of blackness widow and a little fleck of praying mantis."[ten] Carrera'south performance as Fatima Blush earned her a Golden Globe Award nomination for Best Supporting Actress,[27] which she lost to Cher for her part in Silkwood.[28] Micheline Connery, Sean's wife, had met upwardly-and-coming extra Kim Basinger at the Grosvenor House Hotel in London and suggested her to Connery, and he agreed later Dalila Di Lazzaro refused the Domino office. For the part of Felix Leiter, Connery spoke with Bernie Casey, saying that every bit the Leiter role was never remembered by audiences, using a black Leiter might make him more than memorable.[24] Others cast included comedian Rowan Atkinson, who would later parody Bond in his part of Johnny English in 2003.[29] Atkinson's character was added past Clement and La Frenais afterwards the product had already started in order to provide the film with a comic relief.[10] Edward Fox was cast as M in social club to portray the character equally a young technocrat in contrast to the older portrayal by Bernard Lee, and to parody the Thatcher ministry'southward budget cuts to government services.[ten]

Connery wanted to convince Richard Donner to direct the pic, but afterward meeting Donner decided he disliked the script.[ten] Old Eon Productions' editor and managing director of On Her Majesty's Secret Service, Peter R. Hunt, was approached to directly the film but declined due to his previous work with Eon.[thirty] Irvin Kershner, who had previously worked with Connery on A Fine Madness (1966), and had achieved success in 1980 with The Empire Strikes Back was then hired. A number of the coiffure from the 1981 film Raiders of the Lost Ark were too appointed, including first banana managing director David Tomblin, manager of photography Douglas Slocombe, second unit manager Mickey Moore and production designers Philip Harrison and Stephen Grimes.[24] [31]

Filming [edit]

A large, sleek ship is moored at a quayside

The Kingdom 5KR which acted as Largo'due south send, the Flight Saucer

Filming for Never Say Never Again began on 27 September 1982 on the French Riviera for two months[14] before moving to Nassau, the Bahamas in mid-Nov[12] where filming took place at Clifton Pier, which was too one of the locations used in Thunderball.[32] Largo'southward Palmyran fortress was actually historic Fort Carré in Antibes.[33] Largo'due south ship, the Flying Saucer, was portrayed past the yacht Kingdom 5KR, then owned by Saudi billionaire Adnan Khashoggi and called the Nabila.[34] The underwater scenes were filmed by Ricou Browning, who had coordinated the underwater scenes in the original Thunderball.[10] Principal photography finished at Elstree Studios where interior shots were filmed.[32] Elstree also housed the Tears of Allah underwater cave, which took three months to construct, while the Shrublands wellness spa was filmed at Luton Hoo.[32] [10] Most of the filming was completed in the spring of 1983, although in that location was some additional shooting during the summer of 1983.[12]

Production on the pic was troubled,[35] with Connery taking on many of the production duties with banana director David Tomblin.[32] Director Irvin Kershner was critical of producer Jack Schwartzman, proverb that, while he was a skilful businessman, "he didn't have the experience of a film producer".[32] Subsequently the product ran out of coin, Schwartzman had to fund further production out of his own pocket and afterward admitted he had underestimated the amount the moving-picture show would cost to brand.[35] There was tension on prepare betwixt Schwartzman and Connery, who at times barely spoke to each other. Connery was unimpressed with the perceived lack of professionalism behind the scenes and was on tape as saying that the whole production was a "bloody Mickey Mouse performance!"[36]

Steven Seagal, who was a martial arts instructor for this pic, broke Connery's wrist while preparation. On an episode of The This night Testify with Jay Leno, Connery revealed he did not know his wrist was cleaved until over a decade afterwards.[37]

Music [edit]

James Horner was both Kershner's and Schwartzman's first choice to compose the score after existence impressed with his work on Star Trek II: The Wrath of Khan. Horner, who worked in London for nigh of the time, wound up unavailable according to Kershner, though Schwartzman later claimed Sean Connery vetoed the American. Frequent Bond composer John Barry was invited, merely declined out of loyalty to Eon.[38] The music for Never Say Never Once more was written by Michel Legrand, who composed a score similar to his work as a jazz pianist.[39] The score has been criticised as "anachronistic and misjudged",[32] "bizarrely intermittent"[31] and "the most disappointing feature of the film".[24] Legrand likewise wrote the primary theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman — who had as well worked with Legrand on the Academy Honour-winning song "The Windmills of Your Mind"[forty] — and was performed past Lani Hall[24] subsequently Bonnie Tyler, who disliked the song, had reluctantly declined.[41]

Phyllis Hyman also recorded a potential theme song, written past Stephen Forsyth and Jim Ryan, but the song — an unsolicited submission — was passed over, given Legrand's contractual obligations with the music.[42]

Legal substitutions [edit]

The outlines of row upon row of "007 007 007 007 007" fill the screen. A view of countryside, heavily obstructed can be seen in through the gaps.

Many of the elements of the Eon-produced Bond films were not present in Never Say Never Again for legal reasons. These included the gun barrel sequence, where a screen full of 007 symbols appeared instead, and similarly at that place was no "James Bond Theme" to use, although no endeavour was made to supply another tune.[12] A pre-credits sequence was filmed only not used;[43] instead the film opens with the credits run over the peak of the opening sequence of Bond on a preparation mission.[32]

Release and reception [edit]

Never Say Never Again opened on 7 October 1983 in 1,550 theatres grossing an October record $10,958,157 over the four-day Columbus Mean solar day weekend[two] which was reported to be "the best opening record of any James Bond film" upwardly to that bespeak[44] surpassing Octopussy 'due south $8.ix 1000000 from June that yr. The film had its UK premiere at the Warner West Stop movie house in Leicester Square on 14 December 1983.[32] Worldwide, Never Say Never Over again grossed $160 million,[45] which was a solid render on the budget of $36 million.[45] The film ultimately earned less than Octopussy which grossed $187.v million.[46] [47] It was the commencement James Bond film to exist officially released in the Soviet Union, premiering in the summer of 1990 with a gala in Moscow.[48]

Warner Bros. released Never Say Never Once again on VHS and Betamax in 1984,[49] and on laserdisc in 1995.[50] After Metro-Goldwyn-Mayer purchased the distribution rights in 1997 (see Legacy, below), the company has released the pic on both VHS and DVD in 2001,[51] and on Blu-ray in 2009.[52]

Contemporary reviews [edit]

Never Say Never Again was broadly welcomed and praised past the critics: Ian Christie, writing in the Daily Limited, said that Never Say Never Again was "ane of the improve Bonds",[53] finding the flick "superbly witty and entertaining, ... the dialogue is well-baked and the fight scenes imaginative".[53] Christie also idea that "Connery has lost none of his charm and, if anything, is more appealing than ever every bit the stylish resolute hero".[53] David Robinson, writing in The Times also concentrated on Connery, saying that: "Connery ... is back, looking hardly a 24-hour interval older or thicker, and still outclassing every other exponent of the role, in the goodnatured throwaway with which he parries all the sex and violence on the way".[54] For Robinson, the presence of Connery and Klaus Maria Brandauer every bit Maximillian Largo "very nearly make information technology all worthwhile."[54] The reviewer for Time Out summed up Never Say Never Again proverb "The activeness's practiced, the photography splendid, the sets decent; but the real clincher is the fact that Bond is once more played by a man with the right stuff."[55]

Derek Malcolm in The Guardian showed himself to be a fan of Connery's Bail, saying the picture contains "the best Bond in the business organisation",[56] but nevertheless did not notice Never Say Never Again whatever more enjoyable than the recently released Octopussy (starring Roger Moore), or "that either of them came very near to matching Dr. No or From Russia with Dear".[56] Malcolm's main issue with the picture was that he had a "feeling that a abiding struggle was going on between a desire to brand a huge box-office success and the effort to brand character as important as stunts".[56] Malcolm summed upward that "the mix remains obstinately the same – upwards to scratch merely not surpassing it".[56] Writing in The Observer, Philip French noted that "this curiously muted film ends up making no contribution of its own and inviting dissentious comparisons with the original, hyper-confident Thunderball".[57] French ended that "like an hour-drinking glass total of damp sand, the moving-picture show moves with increasing slowness every bit it approaches a confused climax in the Persian Gulf".[57]

Writing for Newsweek, critic Jack Kroll thought the early part of the film was handled "with wit and style",[58] although he went on to say that the director was "hamstrung past Lorenzo Semple'south script".[58] Richard Schickel, writing in Time mag praised the motion-picture show and its cast. He wrote that Klaus Maria Brandauer's character was "played with silky, neurotic charm",[59] while Barbara Carrera, playing Fatima Blush, "deftly parodies all the fatal femmes who have slithered through Bail'southward career".[59] Schickel's highest praise was saved for the return of Connery, observing "information technology is good to run into Connery's grave stylishness in this role again. It makes Bail's cynicism and opportunism seem the product of genuine worldliness (and globe weariness) as opposed to Roger Moore's mere twirpishness."[59]

Janet Maslin, writing in The New York Times, was broadly praising of the film, saying she thought that Never Say Never Once again "has noticeably more humor and character than the Bond films usually provide. It has a marvelous villain in Largo."[60] Maslin too thought highly of Connery in the role, observing that "in Never Say Never Once again, the formula is broadened to accommodate an older, seasoned man of much greater stature, and Mr. Connery expertly fills the beak."[60] Writing in The Washington Post, Gary Arnold was fulsome in his praise, saying that Never Say Never Once again is "one of the best James Bond risk thrillers always made",[61] going on to say that "this flick is likely to remain a cherished, savory example of commercial filmmaking at its most astute and accomplished."[61] Arnold went further, saying that "Never Say Never Once more is the best acted Bond motion-picture show always made, because information technology clearly surpasses any predecessors in the area of inventive and clever character delineation".[61]

The critic for The World and Mail, Jay Scott, as well praised the film, saying that Never Say Never Again "may exist the only instalment of the long-running series that has been helmed by a beginning-rate director."[62] According to Scott, the managing director, with high-quality support bandage, resulted in the "classiest of all the Bonds".[62] Roger Ebert gave the pic three½ out of 4 stars, and wrote that Never Say Never Again, while consisting of a basic "Bond plot", was dissimilar from other Bail films: "For one thing, there'southward more of a homo chemical element in the picture show, and information technology comes from Klaus Maria Brandauer, every bit Largo."[63] Ebert went on to add, "in that location was never a Beatles reunion ... simply hither, by God, is Sean Connery equally Sir James Bail. Good work, 007."[63] Cistron Siskel of The Chicago Tribune also gave the film 3½ out of 4 stars, writing that the moving-picture show was "1 of the best 007 adventures always fabricated".[64]

Colin Greenland reviewed Never Say Never Once again for Imagine mag, and stated that "Never Say Never Again is a complacent male sexist fantasy, where women tin can exist only femmes fatales or passive victims."[65]

Retrospective reviews [edit]

Because Never Say Never Over again is non an Eon-produced film, information technology has not been included in a number of subsequent reviews. Norman Wilner of MSN said that 1967'southward Casino Royale and Never Say Never Once more "exist outside the 'official' continuity, [and] are excluded from this listing, only as they're absent from MGM's megabox. But take my word for it; they're both pretty atrocious".[66] Retrospective reviews of the film remain positive. Rotten Tomatoes sampled 53 critics and judged lxx% of the reviews as positive, with an boilerplate rating of 5.sixty/10. The site's critical consensus reads: "While the rehashed story feels rather uninspired and unnecessary, the render of both Sean Connery and a more understated Bail brand Never Say Never Over again a watchable retread."[67] The score is even so more positive than some of the Eon films, with Rotten Tomatoes ranking Never Say Never Again 16th among all Bail films in 2008.[68] On Metacritic, the film has a weighted average score of 68 out of 100 based on 15 critics, indicating by and large favourable reviews.[69] Empire gives the film three of a possible five stars, observing that "Connery was perhaps wise to telephone call it quits the kickoff time round".[seventy] IGN gave Never Say Never Once again a score of five out of ten, claiming that the film "is more miss than striking".[71] The review too thought that the film was "marred with too many clunky exposition scenes and not plenty moments of Bond beingness Bond".[71]

In 1995 Michael Sauter of Entertainment Weekly rated Never Say Never Once again as the 9th best Bond picture show to that point, after 17 films had been released. Sauter thought the film "is successful only as a portrait of an over-the-hill superhero." He admitted that "even past his prime, Connery proves that nobody does it better".[72] James Berardinelli, in his review of Never Say Never Again, thinks the re-writing of the Thunderball story has led to a film which has "a hokey, jokey feel, [information technology] is maybe the worst-written Bail script of all".[73] Berardinelli concludes that "it'south a major disappointment that, having lured back the original 007, the film makers couldn't offer him something ameliorate than this fatigued-out, hackneyed story."[73] Critic Danny Peary wrote that "it was great to see Sean Connery return as James Bail after a dozen years".[74] He also thought the supporting cast was practiced, proverb that Klaus Maria Brandauer's Largo was "neurotic, vulnerable ... 1 of the nearly complex of Bail's foes"[74] and that Barbara Carrera and Kim Basinger "brand lasting impressions."[74] Peary besides wrote that the "film is exotic, well acted, and stylishly directed ... It would be ane of the best Bond films if the finale weren't disappointing. When will filmmakers realize that underwater fight scenes don't work considering viewers commonly can't tell the hero and villain apart and they know doubles are beingness used?"[74]

Legacy [edit]

Originally Never Say Never Again was intended to start a series of Bond films produced past Schwartzman and starring Connery equally James Bail, with McClory announcing the next planned pic Southward.P.East.C.T.R.E in a February 1984 effect of Screen International.[75] When Connery announced that he would not reprise his role as Bond in some other picture show produced by Schwartzman three weeks before the deadline to purchase the rights to another film for $v meg, Schwartzman said that he was unlikely to make another moving picture without a deal from MGM/UA and Danjaq.[48] [76]

In the 1990s, McClory appear plans to make another accommodation of the Thunderball story starring Timothy Dalton entitled Warhead 2000 AD, but the moving-picture show was somewhen scrapped.[77] In 1997 Sony Pictures caused McClory'southward rights for an undisclosed amount,[four] and later announced that it intended to make a serial of Bail films, equally the company also held the rights to Casino Royale.[78] This movement prompted a round of litigation from MGM, which was settled out-of-court, forcing Sony to give up all claims on Bond; McClory still claimed he would proceed with another Bond film,[79] and connected his case against MGM and Danjaq;[lxxx] On 27 Baronial 2001 the courtroom rejected McClory'south adjust.[81] McClory died in 2006;[77] MGM'south conquering of the rights to Casino Royale finally immune Eon Productions to make a serious, non-satirical film adaptation of that novel the same twelvemonth with Daniel Craig as James Bond. Ultimately, McClory's heirs sold the Thunderball rights to Eon, allowing the company to reintroduce Blofeld to the Eon series in the movie Spectre.

On four Dec 1997, MGM announced that the company had purchased the rights to Never Say Never Again from Schwartzman's company Taliafilm.[82] [83] The company has since handled the release of both the DVD and Blu-ray editions of the motion picture.[84] [52]

Come across likewise [edit]

  • Outline of James Bond

References [edit]

  1. ^ "Never Say Never Again (1983)". BBFC . Retrieved xiii June 2021.
  2. ^ a b "Never Say Never Over again". Box Part Mojo . Retrieved 20 September 2019.
  3. ^ a b Pfeiffer & Worrall 1998, p. 213.
  4. ^ a b c Poliakoff, Keith (2000). "License to Copyright – The Ongoing Dispute Over the Ownership of James Bail" (PDF). Cardozo Arts & Entertainment Law Journal. Benjamin N. Cardozo Schoolhouse of Police. 18: 387–436. Archived from the original (PDF) on 31 March 2012. Retrieved 3 September 2011.
  5. ^ a b Chancellor 2005, p. 226.
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Bibliography [edit]

  • Barnes, Alan; Hearn, Marcus (2001). Kiss Kiss Bang! Bang!: the Unofficial James Bond Film Companion. Batsford Books. ISBN978-0-7134-8182-2.
  • Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd. ISBN1-85283-234-seven.
  • Blackness, Jeremy (2004). Britain Since the Seventies: Politics and Society in the Consumer Age. Guilford: Biddles Ltd. ISBN978-ane-86189-201-0.
  • Black, Jeremy (2005). The Politics of James Bail: from Fleming'southward Novel to the Big Screen . University of Nebraska Press. ISBN978-0-8032-6240-nine.
  • Burlingame, Jon (2012). The Music of James Bond. Oxford: Oxford Academy Printing. ISBN978-0-nineteen-986330-3.
  • Chancellor, Henry (2005). James Bond: The Human and His Earth. London: John Murray. ISBN978-0-7195-6815-ii.
  • Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bond Films. New York: I.B. Tauris. ISBN978-ane-84511-515-9.
  • Lindner, Christoph (2003). The James Bond Phenomenon: a Disquisitional Reader. Manchester University Printing. ISBN978-0-7190-6541-5.
  • Macintyre, Ben (2008). For Yours Eyes Only. London: Bloomsbury Publishing. ISBN978-0-7475-9527-4.
  • Mankiewicz, Tom; Crane, Robert (2012). My Life as a Mankiewicz. Lexington, KY: University Press of Kentucky. ISBN978-0-8131-3605-9.
  • Peary, Danny (1986). Guide for the Movie Fanatic. Simon & Schuster. ISBN978-0-671-61081-4.
  • Pfeiffer, Lee; Worrall, Dave (1998). The Essential Bond. London: Boxtree Ltd. ISBN978-0-7522-2477-0.
  • Pratt, Douglas (2005). Doug Pratt's DVD: Movies, Television, Music, Fine art, Adult, and More!. London: UNET 2 Corporation. ISBN978-1-932916-01-0.
  • Reeves, Tony (2001). The Worldwide Guide to Flick Locations . Chicago: A Cappella. ISBN978-1-55652-432-5.
  • Smith, Jim (2002). Bond Films . London: Virgin Books. ISBN978-0-7535-0709-four.

External links [edit]

  • Never Say Never Over again at IMDb
  • Never Say Never Once more at AllMovie
  • Never Say Never Once again at Rotten Tomatoes
  • Never Say Never Again at Box Part Mojo
  • Never Say Never Again at Metro-Goldwyn-Mayer

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Source: https://en.wikipedia.org/wiki/Never_Say_Never_Again

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